Last Minute

Why yes, I have been a shitty blogger lately, thank you for noticing! I’ve let this hypertext field lie fallow for months now, and for that I apologize. I will do my best to make amends, and coax this tender earth to bring forth new shoots of content for the nourishment and enjoyment of all.

But for the moemnt, I just wanted to mention that, in case you haven’t yet heard, I will be competing in the 6th annual Seattle Laptop Battle tonight at Chop Suey. I know, I know, that’s no notice at all, really. But it would be splendid if you could pry yourself away from your seasonal festivities and come out to cheer me on, or pick up on of my new (and free) CD-R promos.

That’s all for now…but expect more here in the New Year, if not before.

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Posted by Dylan
On December 18, 2009
In Category: Debauchery, General, Live Music, Making Music, Seattle, Whining & Griping
1 comment

Two Weeks

Posting here just because I’ve been meaning to mention it: “Two Weeks”, from Grizzly Bear’s new album, Veckatimest (Warp Records 2009), which has been ruling my ears for at least two weeks so far. The video is intriguing and mildly creepy, but the song itself is a glorious, lush post-Pet Sounds gem. For some reason, there’s no Seattle or Portland stop on their current North American tour (grr!), though I did catch a couple songs when they opened for TV on The Radio a couple years back. Those of you fortunate enough to live in a city which they are favouring with their presence should check out the show, and let me know how amazing it was, so i can cry tears of jealousy.

(Note: You should really click through and watch the HD version of this instead).

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Posted by Dylan
On June 18, 2009
In Category: General, Recorded Music, Seattle, Whining & Griping
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Deus Ex

I’ve had a few days now to digest the grand finale of Battlestar Galactica. I was a late-comer to the series, watching it in marathon sessions on DVD while Season 2.5 was airing, then catching up and watching weekly on TV or via download for the remainder. It was one of those shows that grabbed you right from the start; I just finished re-watching the first season and the original 3-hour kick off and kept remembering why this was such a great show. But re-visiting those first episodes also makes me remember how occasionally frustrating the last stretch has been, and how pieced together some elements were. The finale had elements of both.

First, the good.

You can’t argue with an hour-long epic action sequence, especially not one that raises the stakes above anything we’ve seen before. There have been plenty of giant space battles, but there’s never been one where the shows namesake truly seemed to be destined for destruction. Sure, there have been plots that put the ship, or the entire fleet, in jeopardy, but you know things will work out OK when it happens mid-season. But the final episode of the final season? That’s a more credible threat. The writers could conceivably end things with a Pyrrhic victory, and that made the final assault on the Cylon colony more effective. End the giant battle with the unwinding of some long-brewing double-crosses, and you’ve got the recipe for some satisfying television.

But this has always been a character driven show, tying it’s sweeping storylines to the turmoil of individual lives in a way that made you feel the conflict, and the struggle inehrent in the premise of the show. The ending didn’t disappoint int hat regard, bringing all the major character arcs to some sort of resolution; victory and redemption for some, loss or defeat for others. Bringing up the events from the beginning of the season in a way that truly affected the outcome of the final standoff was a nice touch, too. The emotional core of the story closed in a satisfying way.

It’s not all great though. It was especially clear to me, having revisited the beginnings of the show so recently, just how far from the original plan the story had strayed. This isn’t a problem in itself. You can only bring a series so far with a Cylons-chase-humans/political-crisis formula. The evolution of the show opened up new possibilities along the way. But it wasn’t a neat and tidy evolution. Plot threads got lost, or disregarded. The ending tried to wrap up some of these, and too many others got left along the wayside. And even worse, too many were wrapped up in a dismissive, lazy manner.

The biggest problem I had was that the plot wrapped up in the biggest Deus ex Machina I’ve ever seen. Now obviously, the show has always referenced divine intervention, and supernatural occurrences guiding the action. But it’s always been just that; guiding. All along, the supernatural has arisen as a consequence of the decisions and actions undertaken by the various characters and factions. By the end of the finale, it was clear that the writers didn’t know how to resolve some of these ideas, and instead of making the characters make difficult choices, like they did in the original miniseries and the following seasons, they let the hand of God sweep in and deliver them to salvation. Denying the cast a role in the conclusion of the drama felt contrary to the spirit of the show.

In the end, what did it matter, all of the struggle and strife? The discovery of Earth (Earth 2? More on that in a second) didn’t feel like a consequence of anything that had happened before. It was delivered on a silver platter at the darkest moment in the story of the remaining human civilization. Having Hera made no difference to the continued survival of the human race or the “good” Cylons (since they already had the resurrection technology). The destruction of the Cylon colony, while ensuring the safety of the remaining humans, had no bearing on their discovery of Earth. God just chose that moment to deliver it to them.

The two discoveries of Earth reveal, I think, a real conflict among the creative team about the direction of the show. There’s the impulse to take it in a darker direction; to give humanity their salvation in the form of a broken and desolate planet, as happened at the end of the first half of the season. Take away all hope for the future. Then, there’s the impulse for the happy ending. Take us to the promised land, and give us a new home, instead of dooming us to wander the stars with finite resources, and the odds against us. End it, with some degree of promise that this cycle, spoken of so often, is over.

They tried to have it both ways, but it doesn’t really work. This second discovery of Earth cheapens the first one. It robs it of it’s significance and impact. And worse yet, it makes it look like the writers just wanted a do-over. Earth has been the storied endpoint of the show since the miniseries. They brought us to that endpoint, and it wasn’t what had been promised, and the characters now have to deal with this disappointment. Do they carry on? What do they live for now? These are questions that were touched on in the second half of season 4. But by the end, with a new Earth suddenly entering the picture, these questions are rendered irrelevant. If the promised land isn’t what was promised, God will just give you another one.

During the final season, I was reminded a lot of the anime series Neon Genesis Evangelion. That was an apocalyptic sci-fi show that had the guts to bring its storyline to the dark conclusion that was necessary; to bring the protagonists to their knees and let them fail, if that was what the plot required. I’m not saying that Battlestar Galacticahad to end that way, but it tried to, then gave up on the courageous story choices it had made. Is it just that American audiences don’t have the stomach for a bittersweet ending, let alone a tragic one? Did the writers lose their nerve? If they wanted to give their audience a happy ending, they could have done so without robbing the power of that low point of Earth’s first discovery. Instead, they just made another Earth appear as if by magic, and whatever rang true about the ending (Adama next to Roslyn’s grave, Sam’s final words) was cheapened by how easy this ending was.

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Posted by Dylan
On March 24, 2009
In Category: Film, General, Whining & Griping
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Toronto, Pt. 1: Impressions

I caught my first glimpse of Toronto as the plane banked steeply left on it’s descent into Pearson Airport (YYZ). Damn, that’s a big city, I thought. Followed shortly by Damn, that’s a flat city.

Not to come across as a country bumpkin from the wilderness of Seattle, visiting the big town, but Toronto is much larger, much flatter, much taller, has a larger urban/highrise centered Downtown, and sprawls out without the geographic restrictions that make Seattle a mass of oddly angled roads, bottlenecking bridges, and steep hills. These are easy conditions to plan a build a livable city in, and Toronto has taken advantage of them.

Though it’s a big city, it feels much smaller. Most of this is due to the well thought out and ubiquitous public transit. On paper, it doesn’t look like much. A long East-West subway line, with a North-South loop that crosses it twice in the center of town, plus two auxiliary lines serving a couple of far flung suburbs. Those two main lines cover all the major urban centers of Toronto though, from the extreme East and West limits of the city, through the Waterfront and Financial Districts, around the University and major shopping districts, and out into the gentle hills to the North. There are also streetcar lines that run on every major street that’s not served by Subways, and buses cover pretty much everything else. Not only are you never more than a block or two away from a transit stop, but you’re also rarely more than 10 minutes away from the next train or streetcar, including many main lines that run 24 hours a day. As a complete newbie to the city, I never needed to look at a transit map or timetable.  Just go to the nearest stop, wait up to 10 minutes or so, and catch the first train in the general direction you’re heading, get off at the right intersection, and walk a few blocks. Every neighborhood in this sprawling city was accessible in under 30 minutes.

Of course, it helps that the entire city is laid out in an almost unbroken grid pattern, making it easy to navigate. And since the city is so flat and the CN Tower (like a taller, re-proportioned Space Needle), is visible from everywhere, it’s easy to find out what direction you’re facing at any given time. There was never a single moment where it seemed like a car would be a more convenient way of getting around. I can’t imagine wanting to have a car in this city.

Beyond that, there’s plenty of character here at the street level. Each neighborhood has some unique character, architecturally or otherwise. There are definitely “typical” Toronto buildings, like the 2-story duplex houses that fill the Annex neighborhood and other areas of the city, with their split paint jobs and basement apartments. And there’s plenty of flash, from the old Victorians of Cabbagetown, to the ultra-modernist, conforntational new addition to the Royal Ontario Museum.

It also feels like the town never stops. Most nights presented multiple options for entertainment, and I ended up attending a fashion show, a dance club, a stand-up comedy showcase, and an avant garde rock show, while also stumbling onto a zine festival, a bluegrass performance, a singer songwriter show, a Punjabi street fair, and a Hardcore punk festival. It’s worth mentioning that two of those events happened at the same night, at the same venue (which also had a room generously set aside for a meetup with some local electronic producers).

I did miss a good beer selection though. For all its reputation as a country of serious beer drinkers, Canada doesn’t offer a lot beyond lager and pilsner. Most bars had a selection of several of each, and only the more adventurous ventured into the realm of pale ale, amber, porter, or stout. The ones that did tended to have good ones, but it was odd to not find anything darker at many places. Especially during the early winter!

I’m sure I could go on and on about this city. So many little things jumped out at me while I was there, way too much for me to remember in one blog post. However, I did keep track of exactly what I visited, broken down by day. I won’t bother to list it here, but there were some definite highlights:

Sneaky Dee’s: Visited here at least 5 separate times, for breakfast, nachos, or beer.

The Bovine Sex Club: A goth-y dive bar and venue.

The Cock & Tail: A new, very lovely little bar on Queen West.

The Green Beanery: An organic coffee shop on Bloor, in an old bank building. It still has a vault in the corner.

The Rivoli: The comedy club where the Kids in the Hall got their start.

Kindred: A “coffee shop” with a “member’s only patio” where they apparently sell $15-$20 “milkshakes”, Amsterdam style. Not that I’m into  those type of “milkshakes”…but we stumbled upon it looking for coffee. Overhearing the not-so-subtle conversation between the proprietors was entertaining.

Royal Ontario Museum: This deserves a post of it’s own. It’s a museum of art and natural history, with a collection spanning eras and civilizations. I could spend weeks in there, easily. We barely got through a floor and half before closing.

The Beguiling: A comic book store tucked into a converted house. It’s cramped and somewhat disheveled looking, but the selection in unbeatable.

David’s Teas: For Seattlites, think Remedy Teas, but with a more retail-oriented atmosphere. Service was incredible, and I felt bad about only paying $2 (Canadian, at that) for a cup of tea after the thorough recommendation process.

Moog Audio: A well stocked DJ/Producer oriented audio shop, with records and T-shirts for sale alongside MIDI gear, new Moog synths, and Serato scratch setups.

I could go on and on, but I won’t. Though I will write a second post about Toronto, recounting some specific incidents. Stay tuned.

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Posted by Dylan
On October 31, 2008
In Category: Canada, Debauchery, General, Travel, Whining & Griping
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Sleepwalking

I set my alarm for 6:04am every night. When it goes off, I’m usually already awake, but I hit snooze anyways. Twice. I’m out of bed at precisely 6:22 because I know this is the absolute latest I can get up, do what I need to do, and leave my house in time to be at work at something resembling the time I’m supposed to be there.
 
I turn the water on in the shower, and brush my teeth as it warms up. I’m out and clean and dried by 6:32, 6:35 if I shave. I throw on some clothes, one of three pairs of pants and one of six shirts that I own that are work appropriate. I pour a travel mug of coffee, throw an apple in my bag, and leave, careful to lock up behind myself.
 
I drive. I turn on talk radio but don’t pay attention. I think about the same thing every morning. There’s nothing else to think about.
 
I park at the office somewhere between 7:04 and 7:12 (depending on traffic), swipe my door key and walk to my cubicle. I turn off the out of office message, connect to the corporate network (on the days that it’s not broken), reply to e-mails, and settle in. I read the news. I look at a select handful of websites that I’ve told myself I can get away with browsing at work. It’s an arbitrary bunch. I look at them repeatedly, hoping for new content. I call customers, I argue with the production department, I arrange for couriers. I send e-mails constantly. I take a lunch break at 1:00pm. Sometimes later. I eat the same things over and over, and plow through whatever book happens to be in my bag that day.
 
With two hours left in my day, I tackle the remaining work. I usually finish it.
 
I leave as close to 4pm as possible. If I leave at 4pm, I get home before 5pm. If I leave any later, I’m lucky to get home by 6pm. I turn on talk radio again, and still don’t listen. I tap the gas and inch along the freeway, crawling towards the bridge, towards home. My mind wanders. I always think about the same thing. There’s nothing else to think about. Sometimes it’s all I can do to keep it together. Occasionally I can’t, and I’m glad everyone around me is an anonymous commuter.
 
I get off the freeway, and take 50th instead of 45th, because it gets me home 3 to 5 minutes earlier on average.
 
I get home, throw my bag on my bed, check my e-mail, and proceed to zone out completely for about an hour. I read sites habitually. There’s nothing that really interests me online anymore, but I still check my usual sites compulsively, repeatedly. I wonder what to do with my night, and the answer is often “nothing”. On the rare occasion that there’s something to do, I sleepwalk through it. I smile and nod. I laugh at all the right jokes, and I’m sympathetic at all the right moments. It’s all I can do to keep it together. The cracks show occasionally. If I stay home, I distract myself. I make dinner and pair it with a beer or two. Or three. I try to teach myself a song I don’t really want to know how to play. I read. I watch shows I don’t really care about. I try not to think about how I should be making music, building a website, taking pictures, writing, something. I just try not to think at all.
 
I end up in bed around midnight. I try sleeping on one side, then the other, but neither side is comfortable anymore. If I listen to music, I can fall alseep within a half hour, usually. If I don’t, I toss and turn, sometimes for an hour or more, as it takes that long to stop thinking. Music seems like an easy choice, but it’s not that simple. I can’t explain why. It’s the same reason I turn on talk radio and don’t listen. It makes no sense, but neither does any of this. I don’t know why I do any of it.
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Posted by Dylan
On July 29, 2008
In Category: General, Seattle, Wage Slavery, Whining & Griping
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The Moment of Panic

Last night was the big D.iscontent show at the Baltic Room, where Timm and I debuted the live sets we’ve been working on almost non-stop since the beginning of the year. It was a lot of fun, with great visuals, a lineup of excellent DJs on either side of our live sets, and good turnout (especially for a holiday Sunday).

But there was one moment of sheer terror.

We’d showed up to sound check early in the evening, getting all or connections sorted out and hooking up all the gear to our laptops and the mixer. Everything was sounding good, and it was great to finally hear the sets on a big, booming PA. Timm’s set ran smoothly, and towards the end I got up behind the DJ booth to set up my gear next tot he decks. I get everything powered up and running, fire up my software, and take a look to make sure the software is responding to the gear.

And guess what? It’s not.

I restart the software. Still nothing. I unplug my gear and plug it back into the laptop. Nothing.

I turn to Timm with a sinking feeling in my stomach, and tell him he needs to cover for me. He’s a total trooper, so he improvs the end of his set, dragging out his last song longer than planned, with more variation than he’s practiced. Meanwhile, I hit the power on my laptop and begin the long slow boot back into Windows.

When it finally boots up, I plug my gear back in. Up pops a window, asking if I’d like to install new hardware. This is the moment when I reeeeeally start to worry. I cross myself and mutter a few obscenities. Fortunately, the solution is simple; I switch the two USB cables for my MIDI gear and audio interface. Everything clicks. My software responds. Disaster averted. The show goes on as planned. Which is good, since I was one more error message away from committing ritual suicide.

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Posted by Dylan
On May 26, 2008
In Category: Debauchery, General, Live Music, Seattle, Whining & Griping
1 comment

A Week In The Dark

I just finished my first week of work at my new job. It was hectic and stressful, but not because of the job itself. More so because my key broke off in my ignition on what was supposed to be my third day. What seemed like a simple matter for a locksmith to deal with turned into an ongoing ordeal involving a new ignition, a $1000 bill, a bus trip from Redmond on Friday night, and a lost day of work. Things start looking up, and something has to come along and rain on the parade, I suppose. Hopefully I’ll get my car back today.

On a more positive note, I’m really enjoying the new Hot Chip album. Almost as much as the new Why? album. And I’m still wrapping my head around the new Autechre. Every time one of their albums comes out, it takes repeated listening over several weeks to really get inside it and understand what’s happening, musically and technically. By the time my copy of the limited edition version arrives, I should be ready to take on the bonus disc…just in time to go see them in April.

As for now though, I’m gonna watch some participatory democracy in action at the Central Library, then do some relaxing and try to forget the whole car ordeal. Music will probably help. So will red wine.

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Posted by Dylan
On February 9, 2008
In Category: General, Recorded Music, Seattle, Unabashed Consumerism, Wage Slavery, Whining & Griping
1 comment

End of an Error

I’m a free man. I walked out of my workplace for the last time this afternoon. The job that I took essentially out of desperation, three months into a brutal streak of unemployment, is done. Over. No more. The mismanagement, lack of work, poorly thought out assignments, and gopher work? All done. I made it out just short of my one year anniversary, which is still longer than I would have liked.

And so, I gave myself a five day weekend before starting my new job.

About that: it’s a $5 and hour raise. But there is a commute. I’ll be working in the Belly of The Beast. Well, maybe not the belly, but something close to the belly. More like the Pancreas of The Beast, really.

All in all, things are looking up.

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Posted by Dylan
On January 29, 2008
In Category: Seattle, Wage Slavery, Whining & Griping
2 comments

*Headdesk*

Oh man, this is probably the most astute takedown of Sony’s plan to renounce DRM you could possibly read. I mean, you see a headline that reads something like “Last Major Label Holdout Ditches DRM” and think it must be a good thing, right? Then you read their actual plan, and it’s like your forehead is involuntarily drawn towards your desk at an excessive velocity. Thud! Idiots! Is it even physically possible to have a lesser understanding of your market?

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Posted by Dylan
On January 8, 2008
In Category: General, Linkage, Recorded Music, Whining & Griping
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Ich Sein Nicht Ein Berliner

I shouldn’t be here right now.

I should be approximately 5,050 miles away, in Berlin. I should be staying at the Backpax hostel, preparing for a completely debauched and raucous celebration of the New Year. I should finally have a stamp in my new passport, the one that was supposed to be stamped in France earlier this year, on the trip I never ended up taking. I should be visiting the Bauhaus Design Archives, Checkpoint Charlie, the Gainsbourg Lounge, The Holocaust Museum, Karl Marx Allee, Potsdammer Platz. I should be taking notes on cool records shops, cafes, bars, and clubs in my Moleskine City Notebook that I got for Christmas. I should be buying a train ticket to Poland, for a trip through the Polish countryside into Krakov.

This year was apparently not my year to visit Europe though.

I’m disappointed for sure, especially since the reasons I couldn’t make it are so banal and stupid. But it just gives me extra reason to make my way over there during 2008. Look out…

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Posted by Dylan
On December 30, 2007
In Category: Debauchery, General, Seattle, Travel, Whining & Griping
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