Sleepwalking
Last night was the big D.iscontent show at the Baltic Room, where Timm and I debuted the live sets we’ve been working on almost non-stop since the beginning of the year. It was a lot of fun, with great visuals, a lineup of excellent DJs on either side of our live sets, and good turnout (especially for a holiday Sunday).
But there was one moment of sheer terror.
We’d showed up to sound check early in the evening, getting all or connections sorted out and hooking up all the gear to our laptops and the mixer. Everything was sounding good, and it was great to finally hear the sets on a big, booming PA. Timm’s set ran smoothly, and towards the end I got up behind the DJ booth to set up my gear next tot he decks. I get everything powered up and running, fire up my software, and take a look to make sure the software is responding to the gear.
And guess what? It’s not.
I restart the software. Still nothing. I unplug my gear and plug it back into the laptop. Nothing.
I turn to Timm with a sinking feeling in my stomach, and tell him he needs to cover for me. He’s a total trooper, so he improvs the end of his set, dragging out his last song longer than planned, with more variation than he’s practiced. Meanwhile, I hit the power on my laptop and begin the long slow boot back into Windows.
When it finally boots up, I plug my gear back in. Up pops a window, asking if I’d like to install new hardware. This is the moment when I reeeeeally start to worry. I cross myself and mutter a few obscenities. Fortunately, the solution is simple; I switch the two USB cables for my MIDI gear and audio interface. Everything clicks. My software responds. Disaster averted. The show goes on as planned. Which is good, since I was one more error message away from committing ritual suicide.
I just finished my first week of work at my new job. It was hectic and stressful, but not because of the job itself. More so because my key broke off in my ignition on what was supposed to be my third day. What seemed like a simple matter for a locksmith to deal with turned into an ongoing ordeal involving a new ignition, a $1000 bill, a bus trip from Redmond on Friday night, and a lost day of work. Things start looking up, and something has to come along and rain on the parade, I suppose. Hopefully I’ll get my car back today.
On a more positive note, I’m really enjoying the new Hot Chip album. Almost as much as the new Why? album. And I’m still wrapping my head around the new Autechre. Every time one of their albums comes out, it takes repeated listening over several weeks to really get inside it and understand what’s happening, musically and technically. By the time my copy of the limited edition version arrives, I should be ready to take on the bonus disc…just in time to go see them in April.
As for now though, I’m gonna watch some participatory democracy in action at the Central Library, then do some relaxing and try to forget the whole car ordeal. Music will probably help. So will red wine.
I’m a free man. I walked out of my workplace for the last time this afternoon. The job that I took essentially out of desperation, three months into a brutal streak of unemployment, is done. Over. No more. The mismanagement, lack of work, poorly thought out assignments, and gopher work? All done. I made it out just short of my one year anniversary, which is still longer than I would have liked.
And so, I gave myself a five day weekend before starting my new job.
About that: it’s a $5 and hour raise. But there is a commute. I’ll be working in the Belly of The Beast. Well, maybe not the belly, but something close to the belly. More like the Pancreas of The Beast, really.
All in all, things are looking up.
Oh man, this is probably the most astute takedown of Sony’s plan to renounce DRM you could possibly read. I mean, you see a headline that reads something like “Last Major Label Holdout Ditches DRM” and think it must be a good thing, right? Then you read their actual plan, and it’s like your forehead is involuntarily drawn towards your desk at an excessive velocity. Thud! Idiots! Is it even physically possible to have a lesser understanding of your market?
I shouldn’t be here right now.
I should be approximately 5,050 miles away, in Berlin. I should be staying at the Backpax hostel, preparing for a completely debauched and raucous celebration of the New Year. I should finally have a stamp in my new passport, the one that was supposed to be stamped in France earlier this year, on the trip I never ended up taking. I should be visiting the Bauhaus Design Archives, Checkpoint Charlie, the Gainsbourg Lounge, The Holocaust Museum, Karl Marx Allee, Potsdammer Platz. I should be taking notes on cool records shops, cafes, bars, and clubs in my Moleskine City Notebook that I got for Christmas. I should be buying a train ticket to Poland, for a trip through the Polish countryside into Krakov.
This year was apparently not my year to visit Europe though.
I’m disappointed for sure, especially since the reasons I couldn’t make it are so banal and stupid. But it just gives me extra reason to make my way over there during 2008. Look out…
It feels like Seattle again suddenly. Meaning, of course, that the slightly damp, often gray film of precipitation that we live with for 2/3 of the year has made it’s return, almost immediately after a run of abnormally high temperatures. We’ve gone from sleeping with the sheets thrown off and the windows open, to huddled under a comforter in a matter of days. But on the upside, that means more excuse for afternoon tea and comfy sweaters. And scarves, soon enough.
So this winter has been dubbed the Winter of Discontent, for reasons I’ll leave alone. Though I will say that it involves a lot of tumult and discord and struggle, mostly in immediate social circles, but seemingly in the world at large as well. If I were into astrology, I’m sure I could point to celestial evidence of some great unraveling, puring entropy down upon us. I’m not, so I can’t.
Before we hunker down for a dark winter, there are some bright spots. Decibel Festival is this weekend. I’m not sure if I’ll end up as a volunteer again or if I’ll have to shell out for the festival pass, but either way it’ll be worth it. A little escapism will be nice, and the four on the floor beats and ambient soundscapes should provide plenty. Then there’s Maui. Soon, just a short little hop over and a how-you-doing, drinking Mai Tais on the beach before returning to the Seattle gloom.
Naturally, all of this is just preparation for an even colder and more far flung New Year. But more about that later. Layer up and keep your kettle ready, kids.
At the risk of being spammy (can one be spammy on one’s own blog? Hmmm…) I have a few things for sale. If you’re in the Seattle area and would like to buy a guitar, a keyboard, or a drum machine, hit me up.
I’ve been an awful blogger lately, I know. Hang tough though, true believers, the rest of this year should be pretty interesting, with at least two trips and hopefully some musical goings-on. Soon enough…
Tickets to Albuquerque are purchased! I’ll be making my inaugural trip to the Southwest later this month. Can’t wait. I’ll finally get some traveling done.
Speaking of traveling, my Canadian passport finally arrived. At the end of April, a full month after I actually needed it. Siiiiiigh. Oh well, there has been tentative talk about using it for a New Year’s trip. And of course, there’s always Japan, which needs to happen soon.
Heard a bit of the new Smashing Pumpkins single on the radio at work today, and it’s not the total trainwreck that I was expecting. Which is not to say that it’s any good, but still. Low expectations are the key to avoiding disappointment, I suppose.
I’ve been working on a new website, sort of a companion to this here blog thing. I’ll tell you what it is once it goes online (which should be soon). I’d say it’s about 90% there.
If anybody has any good get rich quick schemes, pass them along. That is all.
More later…
Ended up going to the Books, obviously, and since it was a pretty late night for us,we didn’t even try to sprint over to the Yacht show. In fact, we didn’t even stay for the Books full set before calling it a night.
There was nothing wrong with the show. The Books put on a incredible show regardless of venue, and this year’s presentation was different than last year’s show at U-Dub. But there were minor elements that made it difficult to enjoy. The sound was poorly mixed, at least near the fron of the house, where anything even remotely in the bass range caused floorboards and eardrums to shake violently, and even rattled a power cord loose during opener Todd Reynolds set. Retreating to the back was a much better experience, though the usual issues with a full house in Neumo’s still applied. At least this crowd had a lower hipster quotient than your typical Neumo’s crowd.
But speaking of Todd Reynolds… now that was an amazing performance. He’s a solo performer who plays violin, accompanied by a laptop running some Max/MSP looping software, both for pre-recorded accompaniment and for layering his violin parts in real-time. I think he only played 4 or 5 pieces, but they were all epic and dynamic, using the full range of possibilities in his instrument, rising and falling in long, dramatic arcs. A couple of his pieces were played to video accompaniment, including the final piece, which was synched to split-screen footage from a train crossing the Brooklyn Bridge that was slowly sped-up and layered, becoming more frantic and abstract as it played.
I really wish the 2 set show had started before 10, but I’m glad I got a chance to catch two amazing performances, even if there were a few obstacles to full enjoyment.
Jarvis Cocker tomorrow night. That should be fun too. More later, of course.