Loopy

I’ve been watching a little bit of the first season of The West Wingon DVD recently, and while it’s an enjoyable show, there’s something about the idealism of it all that prevents me from really loving it. The show is witty, fast-paced, and compelling, but it’s run through with a streak of sunny moderate optimism that sometimes undercuts the drama. I guess that’s to be expected from a show that casts Martin Sheen as a Democratic president that somehow combines elements of Bill Clinton and Jimmy Carter with the affable persona of Ronald Reagan. Crises arise that test the resolve and the ideals of the President and his staff, and idealism and savvy politics usually win out the day. When compromise rears its head, these seasoned DC veterans almost always find a way to worm around the thorny ethical questions with a bit of parlimentarian jiujitsu.

Which is why it was so refreshing to see In The Loop this weekend. Where The West Wing feels like a sunshiney promise that the good will triumph through strength of character, In The Loop paints a much more plausible picture of competing interests scrambling to subvert, undermine, intimidate, spin, counterspin, suppress, and expose each other in various layers of subterfuge and blind groping in the dark. TheWest Wing’s  Bartlett administration is constantly finding ways to have its cake and eat it too, while the various players of In The Loop are more concerned with what the cake is currently being called in the press, who’s currently slicing it, if they’re going to get a piece, and whether or not this cake even exists.

To call the film fast-paced would be like calling Usain Bolt a brisk runner. Not more than three minutes in, the shit hits the fan, and from that point on, the British communications director unleashes a deluge of brow-beating profanity punctuated by withering denigrations, in a desperate (and hilarious) attempt to contain the damage from a radio interview in which a foppish and ineffectual minister called a potential Middle Eastern conflict as unforeseeable. Nobody ever has quite the full picture, but it never stops anyone from trying to twist the latest development to their favor.

The action (if a series of official and unofficial meetings, conferences, and asides can be called action) doesn’t let up, as the political machinery of two countries tumbles haphazardly into what may or may not be a war, for motives that are never entirely clear but are nevertheless passionately advocated. Or, equally passionately dissembled upon, int he hopes of appearing neither too favorable or too unfavorable. One imagines this must be how these things actually come about, amidst a jumble of confusion and disinformation, with those who can’t keep track of the play hoping only to land in a position that will do them the least political damage, rather than the one that will create the greatest good.

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Posted by Dylan
On August 24, 2009
In Category: Film, General
1 comment

Jega @ Oscillate

IDM doesn’t have the clout it used to. Once a nexus a of innovation, it seems to have been eclipsed by newer styles in the hearts of many electronic music enthusiasts. The revival of disco-derived styles and their crossover into indie/pop consciousness, and the spread of UK bass music (dubstep, etc.) have left little room for the genre in recent years. But the chin-stroking, headphone-centric style still has plenty of blood in its veins, and some of its key progenitors are putting out work as vital as ever.

Jega can be counted among  these progenitors, and his live set at Chop Suey last night served to demolish any doubts about the vitality of IDM, and serve as a reminder that the “D” in IDM is just as important as the “I”. the (admittedly sparse) crowd was happy to keep time to Jega’s erratic drum explorations using their bodies.

The set started off on a slower, mellower note, full of lush pads, rich melody, and drum patterns that skittered underneath it all. As the night progressed, the music became less melodic, pushing the synths to the background in favor of ever more intricately sliced breakbeats and noisy pulses, moving from the quiet, contemplative end of the musical spectrum all the way to full-on breakbeat madness. He even played an encore, an oddity in electronic music circles, that kept the intensity notched at its highest setting.

Openers ndCv and Obelus kept the mood calm and spacey before Jega took the stage, playing very textural, hip-hop tempo pieces in the vein of Boards of Canada or Seefeel. The transition into Jega’s more laid-back material was smooth, easing us into the quickly escalating pace of his set. This is where IDM excels; while there are certain touchstones of the genre, it’s very freeform when it comes to tempo and mood, and this set of artists brought the audience along on a tour of plenty different mindstates.

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Posted by Dylan
On August 13, 2009
In Category: General, Live Music, Seattle
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