Two Weeks

Posting here just because I’ve been meaning to mention it: “Two Weeks”, from Grizzly Bear’s new album, Veckatimest (Warp Records 2009), which has been ruling my ears for at least two weeks so far. The video is intriguing and mildly creepy, but the song itself is a glorious, lush post-Pet Sounds gem. For some reason, there’s no Seattle or Portland stop on their current North American tour (grr!), though I did catch a couple songs when they opened for TV on The Radio a couple years back. Those of you fortunate enough to live in a city which they are favouring with their presence should check out the show, and let me know how amazing it was, so i can cry tears of jealousy.

(Note: You should really click through and watch the HD version of this instead).

Playtime

Well, that was a perfectly timed epic weekend. Perfectly timed as it coincided nicely with the 6 month anniversary of me and the Girl.

On Friday night, I came home to find a champagne bottle and sushi waiting, followed by a ridiculously decadent dessert. Can’t complain about that. Then we hit up several of the 80+ yard sales on Capitol Hill on Saturday, with pal Abby. Among the loot scored: a working NES and games for a mere $30, C.S. Lewis’ sci-fi trilogy for $1, a 35mm SLR with a 55mm 1.8 lens for $20 total, a sweater and some jeans, and more.  Follow that up with a little relaxation, then a jaunt down to the ID to shop for NES games at Pink Godzilla, and then to Georgetown for a signing by one of my favorite cartoonists, Jason, at the Fantagraphics store. As if that wasn’t enough, we met up with pal Valarie for drinks at Linda’s that night, and heard about the Sounders 2-1 win over the Earthquakes, finally breaking their streak of recent draws.

Sunday wrapped up the weekend with a sale on socks ($1-2 a pair at the U-Village Gap; guys, get your sock needs fulfilled cheap!), lots of video game playing, watching the pilot episode of the new BSG spin-off series/prequel Caprica, and more video game playing. Add generous amounts of wine and tater tots (oh, and hip hop and “your mom” jokes) to this last activity.

Not a bad couple of days by any stretch of the imagination. About the only downside was missing Art Brut on Friday…but hopefully we’ll have a chance to see them again soon.

The Field @ Nectar

There are a lot of seemingly negative words you could use to describe The Field’s music; droning, repetitive, simplistic. There’s one word you can’t use: boring. The Field is music stripped down to basic elements, then blown out, expanded, overexposed and pushed to extremes. Minimalism without restraint.

You can describe a typical Field song as such: take a sample of a recognizable pop song. Now trim it down to the point that it is unrecognizable. Less than a syllable, less than a full note, just a pulse of sound that hardly bears any relation to the original. Loop this, over and over, with a slowly shifting bed of pulsing delay and a steady, deep kick drum pulse. Slowly (and I mean ssssssllllllllooooooowwwwwwwwlllllyyyyy) add in layers of hihats, filtered synths, and occasionally a melody buried beneath it all. Do this for 7 to 10 minutes at a time. On record, it’s a recipe for spacey bliss-out sessions, where you can close your eyes and coast on crescendo after crescendo, waiting for the tension to break with the introduction of one more element in the mix, then feel it build again, over and over.

It doesn’t sound like the sort of thing that will drive a crowd wild, but somehow it does. On stage, The Field is a band, or something that can pass for one (two guys hunched over mixers, one guy running live visuals, and one guy switching between bass and drums), and they push the shimmering, pulsing songs farther and deeper, with the live instruments guitar filling in the edges. Parts stretch out longer, grooves run deeper, the echoing feedback is more volatile. And while they didn’t get the entire dancefloor moving, they had the cluster of dancing bodies in  the center of the room begging for more, with their hands and their voices raised.

I was too tired to stay for The Juan MacLean afterwards. Was it lack of sleep the night before, or was I exhausted just by listening to the overpowering wall of sound that ended The Field’s set? Probably a little bit of both…

Revenge of the Top 5

1. Summer in Seattle

Also known as “the best weekend of the year”.

2. Emerald City Supporters

Seattle has definitely welcomed it’s newest sporting institution, the Seattle Sounders MLS team, with open arms and sold-out games, but no one has welcomed them with more cheering, singing, drinking, and tifo-making than the ECS. If you’re planning on checking out a home game, or a viewing party for an away game, you should think about joining up. The t-shirt and scarf alone are worth the $30 membership, and the camaraderie and spirit are nothing to laugh at either.

3. Oddfellows Cafe & Bar (1525 10th Ave.)

Located in the Oddfellows building across from Cal Anderson park, this wide-open, high ceilingedroom is meticulously decorated with a relentless eye for detail. From the aged photographs, the vintage fixtures, and even the retro-styled Boylans’ sodas and old-timey candy and gum at the counter, everything feels straight out of a turn-of-the-century general shop. Plus, the massive slices of paninibread toast (served with jam and butter for only $2.50) look mouth-watering.

4. Star Trek (J. J. Abrams, 2009)

 I don’t remember which Star Trek movie was the last one I saw, but I remember it sucked. Hard. It was a Next Generation spinoff that looked and felt like an overly long TV episode, with a slightly upgraded budget and a poorly thought out plot. I remember mocking it loudly in the mostly empty theater with my friends, and we were high school nerds, firmly in the target market for this type of movie. This new reboot takes everything that was wrong with the tired franchise and chucks it out entirely, starting from the very beginning of the original crew’s story, but with a more accessible, less fanboy-centric aesthetic. The people who had managed this property had run it into the ground, and it took an outsider to take it over, revamp it, and make it into something that new audiences could be excited about again. All this, and they managed to keep the hardcore fans (mostly) happy as well. As someone who was never more than a casual fan, and one who had lost interest years ago, this is a welcome return to form.

5. Turning 30 at the Cha Cha Lounge

A low key affair that somehow combined good friends, giant crabs, margaritas, pitchers of Stella Artois, broken glass, frightened hipsters, helium voices, and a trip to IHOP that felt like a scene from Twin Peaks. And that’s about all I have to say about that…

Son of the Top 5

1. Iron & Wine at Sonic Boom on 15th

I’ve never seen Iron & Wine before, and I’m not really sure if I can say that I’ve seen them now. The crowd that showed up for this free in-store performance at Sonic Boom’s tiny little shop on 15th Street in capitol Hill quickly filled up the available space, and proceeded to spill out onto the sidewalk for the duration of the 30 minute set. The thirty or forty people who couldn’t fit inside (myself included) stood on the street, craning our necks and hoping to catch a glimpse of Sam Beam through the windows, and over the heads of the rest of the crowd, as wisps of music drifted out of the front door, audible only when traffic had stopped. At one point, a man climbed up on his friend’s shoulders and yelled “I can see him! He’s got a beard!” drawing a chuckle from the rest of us. A little girl sitting on her Dad’s shoulders turned to him and yelled back “You’re weird!” All in all, it was worth it, just for the sheer random adventure of it all.

2. The Field: Yesterday & Today(Kompakt/Anti- 2009)

 Axel Willner’s second album as the Field is richer, deeper record built on an expanded palette. Where From Here We Go Sublime pushed the building blocks of pop micro-samples to it’s limit, Yesterday & Todayopens the horizons, incorporating processed vocals and live drumming on some tracks. This set of songs is just as rich and hypnotic as the acclaimed debut album, with John Stanier (of Battles) contributing some extra rhythmic heft in a couple places.

3. SkipScreen (Firefox extension)

For those of you who frequent the many anonymous file-sharing services available online today, such as RapidShare, MegaUpload, zShare, etc., this plugin is a real time saver. you know that annoying little clock that pops up before you’re allowed to actually click on the download link? the one that begs you to buy a membership tot he site? This extension skips it, or at the very least bypasses the additional confirmation that’s needed in order to begin the actual download. Now, why anyone would want to visit anonymous file-sharing sites I can’t begin to imagine….

4. King City 2by Brandon Graham (Image comics/Tokyopop)

As announced by the artist himself, King City 2 will finally be seeing release! The first King Citybook, a sci-fi spy epic that wraps a sweet and sad story into a world filled with aliens, cats used as weapons, zombie wars, and drugs that turn a users body into more drugs, was published by Tokyopop a couple years back, to mountains of critical acclaim and molehills of sales. The second book lingered in limbo for ages, with an uncertain future as Tokyopop slashed its roster and dropped titles left and right. But now Image will be reprinting the first book as a series of 6 monthly installments including new material, followed up by the debut of King City 2, in the same monthly format. This probably the most exciting comic book since Paul Pope’s THB, and that’s no small praise.

5. Bonkers! in 3-D at ReBar

So, honestly, the 3-D didn’t work all that well. The first 100 people in the door at Re-Bar this night were handed a pair of old-school red-and-blue foil 3-D glasses, to be worn during Looptid’s live visual presentation at 11pm. The red lens was a bit too dark, or maybe the projections weren’t bright enough, but somehow, the projected images of geometric abstractions and vintage softcore (censored by giant “Bonk!” text blocks) failed to leap off the screen. That’s OK, because the music leapt off the speakers in its place. Erictronic’s set combined techno, shuffle, 12-bar blues, and numerous other incongruous genres; Nerd Revolt’s live debut went without a hitch, rocking the dance floor with waves of slick sub-bass. Travis Baron and Dietrich Shoenemann kept the wheels of steel in effect the rest of the night.

We Gonna Party Like It’s the Top 5

1. Celebrating a welcome layoff

Did you ever have one of those days when your significant other carpools into work with you at 7:30am, only to get summarily laid off by a borderline insane employer at 9:00am? And you come home at 6:00pm to find that she, her sister, and their friend have already worked their way through two bottles of wine and a bottle of vodka? And within about an hour, there are several more people at her apartment and every drop of alcohol has been consumed and it sounds like a fantastic idea to walk up to Deluxe for their $5 burger special? And somewhere along the way some wine is thrown up on the sidewalk and $5 worth of bottled water is purchased from a corner market in order to meet their debit card minimum? Because I have no idea what that’s like.

2. Celebrating a new home and a birthday

Then there are those other days, when you get invited to a rooftop housewarming party on a 6-story condo in the center of Capitol Hill, and there’s a nearly 360° view of the Seattle area, including the Olympics, the Cascades, Mount Rainier, Cal Anderson park, the Space Needle, and any other notable landmark you could care to mention. Funny hats are worn, assorted meats are grilled, and multiple parties end up cross-contaminating each other and poaching each others beverages. And this is before the underage partiers start showing up and acting like jackasses, so you go inside and eat Guinness birthday cake.

3. Free Comic Book Day (Saturday, May 2nd)

I probably should have posted this last week, since anyone who doesn’t know about it has now missed it. But this yearly event is a great way to get non-comics readers into comics shops, out of curiosity if nothing else. It’s also a good way to check out some new comics that you might not take a chance on otherwise. Let’s face it, with comic book pamphlets clocking in at upwards of $3 a pop these days, free sounds awfully tempting.

4. Molly Moon’s on Capitol Hill (917 East Pine)

Ever since I moved from Canada twenty some-odd years ago, I’ve been missing one thing above all else, and that’s black licorice ice cream. I found it, once, at an ice cream shop at a mall in Eugene several years ago, but that one encounter was not enough to quench a two-decade urge. fortunately, Molly Moon’s has answered my prayers at last, with a salted black licorice ice cream. It’s not exactly what I was looking for, but it is a new take on my long-lost childhood favorite. Maybe I can convince them to make a tiger tail ice cream (orange and black licorice swirled), and really make my day.

5. Phonogram 2.2 (Kieron Gillen and Jamie McKelvie)

Speaking of comic books, the second issue in Gillen & McKelvie’s seven part series, offering seven different music- and magic- infused takes on a single night in a London club, finally hits shelves. For those who missed the first series, Rue Britannia, Phonogram is essentially an extended metaphor that disguises musings on the cultural and personal significance of popular music as self-aware urban drama spiced with magic. I mean, really, why would you write a dry essay on the rise and fall of Britpop, when you could instead make it a keenly drawn comic book filled with sorcerous intrigue? The second series expands this conceit, exploring the subjective aspects of pop culture through the eyes of seven very different characters.

Return of The Top 5

1. The Return of Oscillate (Chop Suey, April 22nd)

I didn’t actually make it out to this event, but it’s return is quite welcome. The long running experimental electronic night is a much needed alternative to the prevalence of dance-oriented electronic music events in Seattle. I’ll definitely be paying attention to future line-ups at this monthly.

2. No Country For Old Men by Cormac McCarthy

The Coen Brothers movie was a fantastic, atypical thriller that helped expand the vocabulary of cinematic expense, while frustrating moviegoers expecting a straightforward resolution. It turns out the adaptation was incredibly faithful, thought there’s something about McCarthy’s sparse prose that accentuates the methodical amorality of Chigurgh. You never get inside his head, but you don’t need to, and you wouldn’t understand him any better if you did.

3. Korg DS-10 for Nintendo DS

What could possibly make the Nintendo DS, a portable video game system with innovative control elements like a touchscreen, microphone input, and dual displays, even better? How about a full-fledged modular synthesizer, drum machine, and step sequencer modeled on the Korg MS-10 hardware synth, all in one convenient cartridge? With plenty of memory for saving preset sounds and patterns, my Nintendo DS is now a secondary portable music studio.

4. Moth/Wolf Cub by Burial and Four Tet (Warp Records)

No artwork (well, black on black artwork, which might as well be no artwork). No previews online. No tracklisting. No advance copies. Two of the most unique producers around join forces for one super limited edition split vinyl release that sold out in no time at all. Yes, this is on my top 5 even though I haven;t seen or heard it. But I’m anxiously awaiting the appearance of the vinyl rip. Preferably in FLAC format…fingers crossed.

5. Food Lifeline

I spent a few hours here on Saturday, helping sort 2,500 pounds of frozen carrots into 3 pound baggies with a group of Virginia Tech alums. This non-profit turns 95% of it’s donations into food that it distributes to the needy and hungry of Western Washington on a daily basis, with the help of volunteer groups and donations from grocery stores and food producers. Last year they gave out 21 million pounds of food from a variety of sources. They have a letter carriers food drive coming up, and there are other ways individuals can help out.

The Top 5

1. My Tax Return

Bling bling, y’all.

2. Fell - Fermé Ferme

A new full length album from Seattle’s John McCaig (for these keeping track, he was the mastering engineer on the first two Miniature Airlines releases, and also hosted this site on PanicNow, back in the day). This album is filled with rich, unique sounds, including idiosyncratic processed drums and monophonic synthesis, and it’s soon to be available in lossless FLAC format, for the low low price of $8.99.

3. Inherent Vice by Thomas Pynchon

Thomas Pynchon’s next novel, the follow up to the sprawling 1,000+ page epic Against the Day, is a relatively sprightly 384 page detective novel. For those keeping track, that makes it his second shortest novel, just behind the brief Crying of Lot 49 and nowhere near the massive heft of Mason & Dixon or Gravity’s Rainbow. Of course, the brevity does not guarantee the new book will be straightforward; nothing Pynchon has ever written fits that description. Fans of literature both dense and delirious should note the date August 4th on their calendar, and be at their local bookstore for this release.

4. 214 live at Broken Disco (Chop Suey, April 17th)

At the latest installment of Seattle’s best electronic music night, the main dance floor was nearly empty early in the evening, with the sole exception being one young woman in flapper-esque clothing dancing in the center of the room as a handful of heads bobbed to the beat. How can this be you ask? The simple answer is that the real party was not on the main floor, but in the so-called make-out lounge, where Seattle-based prodcuer 214 was laying down some seriously intricate, yet still groove worthy music, somewhere in the no man’s land between IDM, electro, and minimal techno. And the kids who came out that night were eating it up, myself included.

5. Harry Potter & The Prisoner of Azkaban  by J.K. Rowling

Yes, I am only just now getting around to reading the Harry Potter books. And I have to say that this has been my favorite one so far. Maybe that has something to with the fact that I saw the first two movies before reading any of the books, or maybe it’s just that this book has the perfect balance of light whimsy and dark intrigue. I’m now on a deadline; I’m going to need to finish Books 4, 5 and 6 before the next movie hits theatres, as well a catch up on the other movies.

Junior Boys & Max Tundra @ Neumo’s

The first thing I noticed about Ben Jacobs, the man better known as Max Tundra, was how incredibly short he was.  I caught my first glimpse of him as he strolled across the main floor at Neumo’s last night, to go hang out at the merch table before his show started, short enough that he was barely noticed by the still-thin crowd. Maybe that has something to do with his larger than life, ADD stage show. For one man with a few keyboards and assorted toy instruments, he sure did command attention.

The music on his three full-length albums is composed with the aid of Amiga computers, outdated samplers, and an assortment of musical oddities, from melodica to Moog, then topped with his voice (and once in a while, his sister Becky’s). It’s dense, spastic, ADD-inspired pop that can’t keep still, and doesn’t leave so much as a 16th note of rest, yet still retains a bewildering accessibility. It would be impossible to re-create these compositions live, without hiring a rather large band of rather talented musicians, ones who could keep up with his off-kilter rhythmic sense and non-traditional arrangements, so instead he relies on prerecorded backing tracks, and lot of personality.

As soon as the first note of his live set started, he was off, twitching his arms and bouncing around the stage uncontrollably, snapping back into position at the mic whenever it was time to deliver some lyrics. This sort of quirky, bouncy pop isn’t exactly what I would expect before Junior Boys, but it definitely works. Leaning heavily on his new album, Parallax Error Beheads You, but drawing on material from all three full lengths, he kept the crowd bouncing and laughing, despite some regrettable sound issues. Is Neumo’s trying to convert their bass bins into sonic weapons for military use? For the most part, it wasn’t too bad, just extra loud and fuzzy in the low end, but the bass-heavy track “The Entertainment” suffered the most from the sternum-rattling pulse of low end. He finished up with a cover of “Goodbye, Farewell, Auf Wiedersehen Adieu”, and then departed for the merch table, to sell limited edition downloadable versions of his record packaged with a can of soup. Seriously.

Now normally, it would be tough to follow up an act like Max Tundra, but Junior Boys benefited from being 1) incredibly popular (the entire dancefloor and balcony were packed to capacity by the time their set started) and 2) extremely tight. Augmenting their synthpop with a live drummer, the band played through pristine renditions of some of their best material, bringing a huge cheer when they closed out their main set with “In The Morning”, and drove the dancers into a slow-burn frenzy during their encore with the long krautrock crescendo of “Under The Sun”. The only song I was hoping to hear that they skipped over was “Bits & Pieces” “Dull to Pause” [Thanks for the correction, Donna!] from the new album, Begone Dull Care. Even with this omission though, their set was satisfying and fun, if not as innovative a spectacle as Mr. Tundra’s opening set.

The Top 5

1. Doodle Jump (iPhone/iPod Touch game, Lima Sky)

The game industry is continually rushing forward, adding more pixels, more polygons, bigger levels, more interaction, higher framerates…But it’s addictive simplicity that makes the most classic games what they are. Doodle Jump has exactly two controls. Tilt your iPod to change the direction your character bounces, and tap the screen to shoot a pellet towards the top of the screen. It’s a continuous world of platforms and squiggly bacteria-like monsters drawn on lined paper that gets progressively more challenging, and constantly changes. Like Tetris, it takes seconds to understand, and stays challenging the longer you play. The cute, hand-drawn aesthetic adds to the charm, making it both accessible, and irresistible.

2. The Beatles Remasters (Capitol/EMI Records, 9/9/09)

This one has been coming a long time, and it’s interesting that it’s coming at the very end of the CD era, as many have noted. Will it sell? Will it matter? Will anyone still care, beyond the aging boomers and the first generation of post-60s kids who were raised on the legacy of the albums, at a distance? Is this a last minute cash-grab, rushed out so there was still a possibility of making some money by selling a physical artifact containing music? Will it be a victim of the loudness wars, overmastered into a brittle, bright, squarewave butcher job? News about the actual process is encouraging, but we shall see…

3. Yeah Yeah Yeahs: It’s Blitz (Interscope/DGC/Dress Up)

I’ve been lukewarm on this band for a while: some superb singles, and some lackluster filler. Their previous album, Show Your Bones, didn’t do much for me, so I sort of wrote them off. But It’s Blitz kicks off with a stunning dance-pop track, and doesn’t quit. Softshock in particular does it the right way, with driving electronics and a delicate synth line backing Karen O’s forceful delivery. It’s different than their previous, punkier material, with an added sheen that emphasizes their strengths.

4. La Jetée (Chris Marker, 1962)

This French short film, constructed almost entirely from still photographs and voiceover, was the inspiration for Terry Gilliam’s 12 Monkeys, one of my favorite sci-fi films. Gilliam grabbed most of the plot, fleshed it out an various ways, and changed some of the details, but kept the sense of doomed romance that makes this so compelling. La Jetée provides the thematic core of one of the smartest time travel movies around.

5. Rachel Maddow & Ana Marie Cox on Tea Bagging (The Rachel Maddow Show, MSNBC)

The only thing I laughed at while sick on Friday. Just watch it.